Snowfall in Marblehead

A Winter Morning on the North Shore- December 14th, 2025

I started the morning at Fort Beach, well before sunrise. Snow had already accumulated on the rocks below Front Street, contrasting nicely with the blue hour tones on the harbor.

From there, I ventured over to Little Harbor Lobster Company to photograph the First Harbor Company Christmas boat. Snow in December is not a guarantee in Marblehead, so it was exciting to see this iconic boat dressed in its winter outfit. Part of the enjoyment is also getting to meet other photographers who travel from all over the Northeast to check out this scene. 

It is a short trip to Redd's Pond, so I made a quick stop there to take photos of another iconic Marblehead scene

Old Town was the next stop- its colorful houses and cherished history provide compelling compositions, especially during the winter. It is amazing how just an inch or two of snow changes the way the town feels. Familiar places slow down and begin to feel remembered rather than observed.

From there, I skidded over to downtown but was stopped in my tracks by the National Grand Bank car: 

The journey continued at Marblehead Yacht Club. The harbor was nearly still, its sounds absorbed by snow, leaving behind a sense of pause that only arrives a few times each winter.

I finished the morning loop back at the First Harbor Company Christmas boat, as I thought the quality of light would be better than earlier in the morning, with a bit more snow on the tree.

Later on in the day, re-visited Front Street to see if the Lighthouse would be lit up for the holidays. As the intensity of snow increased, used a set of car headlights to illuminate the rocks in the foreground.

This essay is a curated selection from a larger body of work.

About the Photographer

Mark Katz is a fine-art landscape photographer based in New England. His work focuses on quiet scenes, minimalist compositions, and the way light shapes familiar places over time. Rather than chasing singular moments, he builds cohesive bodies of work—returning to the same locations across seasons and conditions, letting light lead the scene. His photography explores the subtle energy of place, inviting viewers to slow down and look a little longer.

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